Monday, July 18, 2016

IN THE HEART OF OUR SOULS by Victoria Ngangu







Mark Your Calendar!
Free ONLINE eBook reading event on 
Sat. July 23, from 10 AM to 2 PM Pacific Time
by Victoria Ngangu from her book: 
IN THE HEART OF OUR SOULS




From the Poor Country of Congo to American Author

Victorine Ngangu and her great-grandfather were not paid for work they did because of their ethnicity.

When Victorine Ngangu discovered that a photographer and one of her friends had forged her signature so that they could sell Ngangu’s photographs to a major U.S. company, she was outraged. Without her knowledge and consent, 144 of her photographs were sold. Ngangu was never paid and did not receive an apology from the photographer, her friend or the company. Those people walked free of charge in the court of law. In 2012, Ngangu filed a case with local police to bring them to justice but received no satisfaction.



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Saturday, July 9, 2016

Thriller LAST STOP: PARIS


FREE @ Amazon on Saturday, July 9, 2016


Interview with Author John Pearce:

John, which of your characters is most interesting to you?

That’s a really good question, and a tough one. My own views aside, because by now they all feel like members of the family, Jen — the sort-of-bad girl — was the most commented-on character in Treasure of Saint-Lazare.

This time things seem to have changed. Eddie is the one most early readers like. He’s an interesting guy — full of contradictions, slow to anger but unremitting once his decision is made. He’s confident but at the same time has an abundance of self-doubt.

He was, after all, a Special Forces company commander in Kuwait, and much of the plot of my first two books stems from one brief, brutal incident during that time.

I wanted to create a character who should have everything he could ever want, but whose perfect life is derailed by something over which he has no control, in this case something that was part of his father’s military service sixty years before plus the incident in Kuwait.

He’s rich, but his fortune really doesn’t matter much. He’s loved by the perfect woman, but can’t handle it and spurns her (don’t panic; they rectify that).  He falls into bed with the wrong woman, who turns out to be totally unlike his first image of her, or so he thinks. In other words, he’s like most of us — screwed up, incomplete, unhappy at least some of the time.
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How did you get the original idea for the series?
A lot of my ideas come during my daily four-mile walks. The “what if” idea for this one came that way one day, and then I went looking to see if there were a historical hook I could use. That’s when I found Italian Renaissance painter Raphael’s well-known self-portrait, which has been missing since 1945.

Then I found a bunch of interesting characters and put them into difficult positions to see how they worked themselves out.
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Are they based on real people?
I picked up a couple of names from people I know, but otherwise every character in it is totally fictional, or such a broad combination of attributes that they are anonymous. That excludes a few historical public figures, of course. Nobody could create a character worse than Hans Frank, the butcher of Poland who got his start in German politics as Hitler’s personal lawyer. Even his own son thought he was scum — enough so to write a book about it.
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How do you go about researching and writing?
Jan and I spend a couple of months in Paris each year, and that’s when I do the detailed research on scene locations. I make a lot of notes and take a lot of pictures. On this year’s trip we also went to Frankfurt for a short visit to make certain I hadn’t mangled anything too much — the manuscript was done but not beyond correction.

We lived in Frankfurt when we were journalists a long time ago. It’s changed a lot, but the old railroad station is in the same place, and nothing much has changed about Sachsenhausen, where Jeremy takes a long walk on his way to meet the old retired Stasi agent who provides the key that unlocks one very important part of the plot.

I take a lot of pictures. I dictate a lot of notes to my pocket recorder, which Dragon translates into something like English. Those go into Evernote, there to rest until I need them.

The writing itself is done in Scrivener on my MacBook Pro. In Paris, I write in the lovely old Mazarin Library, which is part of the French Institute, right across the street from the Louvre by way of the bridge that used to have uncounted thousands of love locks on its railings. The city took them off out of concern their weight would do permanent damage.

I print the manuscript (many times; the whole thing is still on a shelf above my desk at home, and it’s a stack of paper two feet high). I edit in longhand, and then when I can’t do any more I send it off to my editor, Jen Blood, in Maine. She works it over thoroughly — three times. Then it’s done.

John, thanks a lot for taking the time to talk about your latest book in the series.
Best of all: it is free as ebook on July 9, 2016! 
https://www.amazon.com/Last-Stop-Paris-Eddie-Grant-ebook/dp/B017OTZN4W




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Tuesday, June 28, 2016

Some Indie Authors Get Their Books Into B&N







Barnes and Noble just issued a press release on its Nook Press print-on-demand service: All submitted titles will be vetted for approval and have to meet the company’s outlined standards.

Authors will also be required to be “eligible Nook Press authors,” meaning their titles must be available as ebooks on BN.com and NOT included in Amazon’s KDP Select category!


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And: “The opportunity is limited to titles whose eBook sales [of a single title] have reached 1,000 units in the past year.”  In-store book signings and live events will be limited to those whose “eBook sales (of a single title) have reached 500 units in the past year.”
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Hopefully, this time B&N will actually identify the needs and wants of self-published authors and the many small presses which are still forced to rely on a POD-based model for their paper editions. As Goodereader.com said:

“If they want to take down Amazon, give the authors a reason to make the switch.”

and TheFuturePublishing commented:

"But the devil’s in the details: the program is for “eligible” NOOK Press authors, defined as “those print book authors whose eBook sales [of a single title] have reached 1,000 units in the past year.” The in-store promotion is for “those print book authors whose eBook sales [of a single title] have reached 500 units in the past year.”
To try for bookstore access eligible authors must then submit their print books “for review by Barnes & Noble’s Small Press Department and one of the company’s corporate category buyers”. To participate at in-store events authors need a “review from a Barnes & Noble store manager.” vBut how many copies might the chain order? How long will they keep those precious books in inventory? vWhere will they be displayed? vWhat about returns of unsold copies? So far there are lots of unanswered questions..."

And a warning by Bestselling Author David Gaughran:
"To clarify: Nook Press Author Services are provided by Author Solutions. The Nook Press e-book platform is run internally, it’s some of the add-on services etc. that are outsourced.    I don’t know what about that has changed with this announcement, if anything."



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Some Indie Authors Get Their Books Into B&N







Barnes and Noble just issued a press release on its Nook Press print-on-demand service: All submitted titles will be vetted for approval and have to meet the company’s outlined standards.

Authors will also be required to be “eligible Nook Press authors,” meaning their titles must be available as ebooks on BN.com and NOT included in Amazon’s KDP Select category!


.

And: “The opportunity is limited to titles whose eBook sales [of a single title] have reached 1,000 units in the past year.”  In-store book signings and live events will be limited to those whose “eBook sales (of a single title) have reached 500 units in the past year.”
.

Hopefully, this time B&N will actually identify the needs and wants of self-published authors and the many small presses which are still forced to rely on a POD-based model for their paper editions. As Goodereader.com said:

“If they want to take down Amazon, give the authors a reason to make the switch.”

and TheFuturePublishing commented:

"But the devil’s in the details: the program is for “eligible” NOOK Press authors, defined as “those print book authors whose eBook sales [of a single title] have reached 1,000 units in the past year.” The in-store promotion is for “those print book authors whose eBook sales [of a single title] have reached 500 units in the past year.”
To try for bookstore access eligible authors must then submit their print books “for review by Barnes & Noble’s Small Press Department and one of the company’s corporate category buyers”. To participate at in-store events authors need a “review from a Barnes & Noble store manager.” vBut how many copies might the chain order? How long will they keep those precious books in inventory? vWhere will they be displayed? vWhat about returns of unsold copies? So far there are lots of unanswered questions..."

And a warning by Bestselling Author David Gaughran:
"To clarify: Nook Press Author Services are provided by Author Solutions. The Nook Press e-book platform is run internally, it’s some of the add-on services etc. that are outsourced.    I don’t know what about that has changed with this announcement, if anything."



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Wednesday, June 22, 2016

Do you own a Small Publishing Business?





If you are a small business person, not only in publishing, but also in other fields - from trades, retail, media, to all the consulting businesses, such as lawyers, architects or accountants - and do not have a blog, LinkedIn offers a sensational platform that can be used for free. 

If you DO have a blog, you have the opportunity to connect your LinkedIn platform with your existing blog to drive new traffic and attention to your platform!  Posts on LinkedIn which you publish will appear as part of your professional profile

More and more Social Media sites open publishing platforms to all its members.  Every member has these publishing privileges.  Posts you publish will appear as part of your professional profile. From there they can be shared with your immediate networks.

As one writer said:  “Just another thing to keep traditional media awake at night.”
What about you?  Are you going to publish/duplicate your blog on LinkedIn? 

Read more: 
http://savvybookwriters.wordpress.com/2014/03/11/own-a-small-publishing-business/



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Saturday, June 18, 2016

Canada Writes Contest


Alberta Tourism
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CANADIAN SHORT STORY PRIZE
Canada Writes, with partners CBC, Canada Council for the Arts, Air Canada’s enRoute magazine and The Banff Centre, are pleased to announce the Grand Prize winner will receive $6,000, courtesy of the Canada Council for the Arts, and will have his/her story published in Air Canada’s enRoute magazine and on the Canada Writes website.
She or he will also be awarded a two-week residency at The Banff Centre’s Leighton Artists’ Colony, and will be interviewed on CBC Radio. The 4 runners-up will each receive $1,000, courtesy of the Canada Council for the Arts, and their stories will be published on the Canada Writes website.
Submissions to the short story category must be between 1,200 and 1,500 words.  A fee of $25.00 (taxes included) for administration purposes is required for each entry. Deadline to submit: November 1, 2012. This prize is awarded once a year to the best original, unpublished short story, submitted to the competition. All Canadians can participate. The competition is blind. A jury composed of well-known and respected Canadian authors will select the Grand Prize winner and 4 runners-up.
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POETRY
The First Prize winner will receive $6,000, courtesy of the Canada Council for the Arts, and will have his/her poetry published in Air Canada’s “enRoute” magazine and on the Canada Writes website. He or she will also be awarded a two-week residency at The Banff Centre’s Leighton Artists’ Colony, and will be interviewed on CBC Radio’s “The Next Chapter” with Shelagh Rogers.
This prize is awarded once a year to the best original, unpublished, poem or poetry collection submitted to the competition. All Canadians can participate. The competition is blind. A jury composed of well-known and respected Canadian authors will select a 1st place winner and 4 runners-up.
The 4 runners-up will each receive $1,000, courtesy of the Canada Council for the Arts, and their stories will be published on the Canada Writes website. Submissions to the poetry category must be between 400 and 600 words.  A fee of $25.00 for administration purposes is required for each entry.
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Waterfall at Moraine Lake
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About the Banff Centre
The first-prize winners in the Short Story, Creative Nonfiction and Poetry categories in both English and French Literary Prizes will be awarded a two-week residency at The Banff Centre’s Leighton Artists’ Colony.  All meals at The Banff Centre are included, as is access to The Banff Centre’s events and performances.  Winners must use their residency within one year of the prize award, at a time that the prize winner and The Banff Centre both agree upon.
Writers have been polishing their words at The Banff Centre in the heart of the Canadian Rockies since the 1930s. The Centre is a hot-bed of creativity, providing time, tools, and mentor-ship for the creation of new work in all artistic disciplines. The Centre’s varied Literary Arts programs are led by some of Canada’s top writers, including Ian Brown, Daphne Marlatt, Nino Ricci, and Fred Wah — Canada’s Parliamentary Poet Laureate. Writers, emerging and seasoned, gain input and inspiration in a retreat setting. Programs are offered in fiction,
nonfiction, poetry, digital literature and innovative forms, and spoken word.

Thursday, June 16, 2016

$25.000 Grant for a Canadian Writer





All Canadian writers of established literary reputation in fiction, poetry, creative non-fiction or drama are encouraged to apply for the Edna Staebler Writer-in-Residence program.  The winner will receive CAD $25,000 !!! for the full-time, three-month residency.  The writer resides in Lucinda House, a century home close to Laurier’s Waterloo campus, and splits his or her time between writing and community programming at the university’s various campuses.

2017 Winner.
Fiction writer Ashley Little has been chosen as Wilfrid Laurier University’s 2017 Edna Staebler Writer in Residence.  Little is an award-winning author of five novels, including young adult (YA) fiction. Little will be the fifth writer to hold the Writer-in-Residence position, fulfilling her term at Laurier from January to April 2017.

“Ashley’s writing is sharp, witty and boundary pushing,” said Jenny Kerber, assistant professor of English and chair of the Edna Staebler Writer in Residence committee.  “She is one of Canada’s most exciting younger writers and will make a wonderful addition to our campuses, as well as to the region. We are thrilled that she will be joining us.”  During her residency at Laurier, Little will be working on a new novel: BIG ME, a story of a teenage giant.

Each year, the Edna Staebler Laurier Writer-in-Residence acts as a resource to the Laurier community while pursuing individual writing projects.  During her term at Laurier, Little will give public lectures, provide one-on-one feedback to student writers and writers in the community, and conduct writing workshops.
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Little received a Bachelor of Fine Arts in Creative Writing and Film Studies from The University of Victoria and a Master in Fine Arts in Creative Writing from the University of British Columbia. Her first novel, PRICK: Confessions of a Tattoo Artist (Tightrope, 2011) was a finalist for the ReLit award and optioned for film. The New Normal (Orca, 2013) won the Sheila A. Egoff Children’s Literature Prize. Anatomy of a Girl Gang (Arsenal Pulp Press, 2013), won the Ethel Wilson Fiction Prize, was a finalist for the City of Vancouver Book Award, was long-listed for the International IMPAC Dublin Literary Award and has been optioned for television. Her fourth novel, Niagara Motel, will be released in October 2016 and her fifth novel, Confessions of a Teenage Leper, is forthcoming. Ashley’s work has been translated into Croatian, Korean, and Italian.

Little has served as writer-in-residence for the Vancouver Public Library and the Alexandra Writers Centre Society (Calgary). She has lived in Ontario, Alberta, Vancouver Island, and currently resides in the Okanagan Valley.
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Due to the number of exceptional applications received for the 2015 residency, the committee decided to choose writers for both the 2016 and 2017 residency from the 2015 application pool. The application process for the 2018 competition will resume next spring.  Mark your calendar!
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The Edna Staebler Laurier Writer in Residence position was established in 2012 by a bequest from the late Edna Staebler, prolific creative non-fiction writer and author of the very popular “Schmecks” series of books that celebrate the culture of Waterloo Region.

Previous Staebler Laurier Writer-in-Residence include multi-genre author Drew Hayden Taylor (2016), poet Sonnet L’Abbé (2015), playwright and filmmaker Colleen Murphy (2014) and creative non-fiction writer Andrew Westoll (2013).

Read more here:
http://savvybookwriters.wordpress.com/2014/03/26/25000-offer-for-3-months-writers-residency/


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Sunday, May 29, 2016

Obituary: Donald J. Trump


Another amazing blog post by C.C. Lum:

Who fired The Donald? 





Whoever pulled the trigger on The Donald, they certainly triggered a revival of conspiracy theorizing on a grand scale.  Forget the Birthers…all the exciting speculation is now with the Deather's. 


C.C. Lum remembers Donald Trump… (read on)



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Bernie and the Path to Coalition Government

C.C. Lum wrote a great blog article:

Bernie and the Path to Coalition Government




Even for an imaginative writer, such as myself, it is hard to conjure up any political course that would seriously threaten the Deep State, that is, the real-power infrastructure embedded in the United States.

To be sure, the theatrical value of the current presidential race is unprecedented in its farcical quality, all the while raising some disturbing questions about the qualifications of the voting public to even participate in this democracy mime.

That said, all the drama aside, the campaigning on the left and on the right is still just theatre…not revolution.  Or am I wrong?  (read on…)


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